Two Letters to the RRP The Old Man and Van der Wetering
Jul 212014

May I congratulate Prof.Van der Wetering on recognizing Rembrandt’s prime quality, that of responsiveness, which we see wonderfully displayed in “The Old Man Sitting on a Chair” and which he has finally allowed to be considered “a very important painting” and by Rembrandt.

I have put on my blog

a letter I wrote to the Rembrandt Research Project (RRP) in 1988 offering to visit them in Amsterdam in order to discuss the damage they were inflicting on our culture, specifically a  letter to the Guardian in response to their article “Call to bring Old Man out of the Shadows” 24 May ‘14 ioning “The Old Man Sitting in a Chair”. I was refused once (by Dr. Bruyn) but was not satisfied so got a second refusal “on behalf of all my colleagues” dated March 30th 1988. (Prof. Van der Wetering was a colleague.)

He and his colleagues have been trying to impose consistency on an artist who artists value for his responsiveness: almost the opposite to consistency. The RRP de-attributed this important painting and in so doing may be held partially responsible for the decline of modern, observed painting since.

May we dare hope that Prof Van der Wetering’s U turn marks the beginning of a return to realism in Rembrandt studies. I have ample evidence for the re-attribution of nearly 1000 drawings now distributed among his students. The principles on which I work can be found in my e-book on Rembrandt on the same website or in my article ”Rembrandt’s Use of Models and Mirrors” Burlington Feb. 1977.

Nigel Konstam 4. 7. 14

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