I am a revolutionary, a cultural revolutionary. If you are happy with a status quo in art that has destroyed Rembrandt along with most of the cultural norms that have been in place since art began, you need not read on. If on the other hand you are dissatisfied with the present state of barbarism, I have a lot of homework for you. This museum is well stocked. Much I have said before on my blog and on Youtube but here they are arranged in an order that makes more sense: the chronology of the art rather than the chronology of my discoveries; with links to the relevant YouTube films
I made these discoveries over the last 40 years and though the evidence comes from a wide variety of primary sources (the works themselves) and many have been published in top rank art periodicals they have not been heeded. The facts that emerge from my investigations are often greatly at variance with established art history, where my work has met with unrelenting resistance. This is hardly surprising as the discoveries effectively pull the red carpet from under the feet of many of the mighty in art history and archaeology.
Normally such a radical revolution has to be implemented with machine guns but as they would seem out of place in a cultural debate, I have had to resort to naming names in order to try to provoke a response from a faculty that has up till now resisted with sullen silence, distortions or outright lies. To avoid blackening a whole profession I should mention that I have won most useful support from such prestigious names as Prof, Sir Ernst Gombrich, Slade Professor Sir Lawrence Gowing and archaeologist Herbert Hoffmann.
The Internet has provoked successful revolutions in the middle-east. Let us see if it can provoke a velvet revolution in culture. The public has the right to decide whether I am the crank I am often taken for, or the prophet of a new and better age in art, as I myself presume. Without your public participation with comments I can achieve nothing. This site is interactive. I am retiring from one of my day-time jobs (as director of the Verrocchio Arts Centre) in order to devote more time to this and my work as a sculptor/teacher.